HNAM inv. no Π 9651_b
The study indicates that this is a, most probably, wool fabric (today very much degraded), dyed in a bright purple colour (at least near the decoration) and decorated with tapestry patterns made using a supplemental, thicker linen thread in the natural shade of flax. While the linen, decorative thread has survived in different degrees of mineralisation, sometimes in a very good condition, others very degraded, the wool, background fabric has almost vanished, surviving only in blackish traces scattered among the tapestry designs.
This tapestry joins the tradition where the background fabric is dark and illuminated by the bright, decorative weft forming the pattern (e.g. Lefkandi, Thessaloniki), as opposed to the subsequent tradition, famously depicted in the Coptic tapestries, where the dark, coloured decorative weft weaves the patterns on the light background (Vergina, Coptic tapestries).
Many tapestry fragments have been spotted during the study and the final impression is that they all belong to the same fabric, although they have been preserved differently depending on their placement and contact to other objects. Specifically, the tapestry has been found on the surface of the larger tabby HNAM inv. no Π 9651_a, in freestanding fragments HNAM inv. no Π 9651_b, in relation with the silver vase HNAM inv. no Π 9588 and in contact with the bronze vase HNAM inv. no Π 9566.


